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Postmodern horror

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Night of the Living Dead (1968), one of the earliest examples of postmodern horror film

Postmodern horror is a horror film related to the art and philosophy of postmodernism. Examples of this type of film include George A. Romero's Night of the Living Dead, Tobe Hooper's The Texas Chain Saw Massacre, John Carpenter's slasher film Halloween, and Wes Craven's Scream.

Background

Postmodern horror, which emerged in the 1960s, is defined by several key characteristics. These include the disruption of everyday life through violence, the crossing and violation of boundaries, and a critique of rationality as a reliable framework. It also rejects traditional narrative closure, instead offering open-ended or unresolved storytelling. Additionally, it creates a confined experience of fear for the audience, fostering a sense of immersion.

Examples of this include the famous "rules of surviving a horror movie" speech from Wes Craven's 1996 slasher film Scream and the self-aware characters (including the main protagonist) slowly realizing they're living the plot of one in the 1990 precursor There's Nothing Out There.

Notable postmodern horror films

See also

References

  1. ^ Prince, Stephen (February 2, 2004). The Horror Film. Rutgers University Press. ISBN 9780813533636. Retrieved February 2, 2023 – via Google Books.
  2. RIP Wes Craven, Dead at 76. Here Are 3 Time He Perfected Postmodern Horror|Fast Company
  3. A Scary Hollywood Rip-Off - The Atlantic
  4. Short of the Week
  5. Watch: Charlie Lyne’s Copycat, A Short Film About the Proto-Scream|Filmmaker Magazine
  6. The Obscure 1990 Horror Movie That May Have Inspired Wes Craven's Scream|Mental Floss
  7. "Spider Baby, or the Maddest Story Ever Told (1967)". January 15, 2018. Retrieved February 2, 2023.
  8. ""The Walking Dead" Recalls a 60s Horror Classic". November 22, 2010. Retrieved February 2, 2023 – via www.reuters.com.
  9. ^ Kee, J. (February 2, 2015). "Black Masculinities and Postmodern Horror: Race, Gender, and Abjection". Visual Culture & Gender. 10: 47–56. S2CID 194218977.
  10. ^ Recreational Terror - Google Books
  11. "Heart of Weirdness: The Story Behind HAUSU". Austin Film Society. October 22, 2018. Retrieved February 2, 2023.
  12. "Filmmuseum - Program SD". www.filmmuseum.at.
  13. Cusson, Katie (April 11, 2022). "Every Invasion of the Body Snatchers Movie and How Each is an Allegory For Their Time". MovieWeb. Retrieved February 2, 2023.
  14. Anastasova, Maria (October 12, 2018). The Suspense of Horror and the Horror of Suspense. Cambridge Scholars Publishing. ISBN 9781527519046. Retrieved February 2, 2023 – via Google Books.
  15. ^ The Monstrous-feminine - Google Books (pg.73)
  16. Staff, Slant (October 28, 2022). "The 100 Best Horror Movies of All Time". Slant Magazine. Retrieved February 2, 2023.
  17. "What Will The Citizens Of New Jersey Mutate Into?". Gizmodo. May 9, 2010. Retrieved February 2, 2023.
  18. ^ "The Most Important Postmodern Horror Movies". uk.yahoo.com. June 20, 2015. Retrieved February 2, 2023.
  19. Arnzen, Michael A. (February 2, 1994). "Who's Laughing now? The Postmodern Splatter Film". Journal of Popular Film and Television. 21 (4): 176–184. doi:10.1080/01956051.1994.9943985. Retrieved February 2, 2023 – via www.academia.edu.
  20. "30 years later and Beetlejuice is still the ghost with the most". March 30, 2018. Retrieved February 2, 2023.
  21. New on DVD and Blu-ray|The Week
  22. Gremlins 2: The New Batch (1990) Movie Review from Eye for Film
  23. 'The Nightmare Before Christmas' (PG) - The Washington Post
  24. Trinos, Angelo Delos (June 24, 2022). "10 Times Horror Movies Broke Their Own Rules". CBR. Retrieved February 2, 2023.
  25. ^ "10 Savvy Postmodern Horror Films That Helped Reinvent The Genre | Decider". October 24, 2015. Retrieved February 2, 2023.
  26. "Horror in fancy clothes: the 1990s cycle of prestige monster movies". BFI. December 14, 2022. Retrieved February 2, 2023.
  27. "The top 10 greatest horror films of the 1980s". faroutmagazine.co.uk. October 14, 2021. Retrieved February 2, 2023.
  28. "Scream and Scream Again: The Postmodern Musings of "Scream"". MUBI. February 2022. Retrieved February 2, 2023.
  29. Hollman, Raquel (August 30, 2022). "Wes Craven's 'Last House on the Left' Is Not Just About Depravity and Violence". Collider. Retrieved February 2, 2023.
  30. ^ Black, A. J. (July 7, 2020). "SCARY MOVIE: a post-modern horror spoof without any post-modern wit (2000 in Film #26)". We Made This. Retrieved February 2, 2023.
  31. Staff, The Playlist (April 15, 2011). "The Playlist's Guide To Horror Sequels Worth Screaming About". Retrieved February 2, 2023.
  32. Russell, Saralyn (June 10, 2014). "Queerly Monstrous: Reading Party Monster as a Postmodern Horror Film". Kino: The Western Undergraduate Film Studies Journal. 5 (1). Retrieved February 2, 2023 – via ojs.lib.uwo.ca.
  33. "'ParaNorman' Is a Hilarious, Heartfelt Horror Homage, PopMatters". August 13, 2012. Retrieved February 2, 2023.
  34. Thill, Scott. "Exclusive Video: Crafting Hotel Transylvania's CGI Monster Party". Wired. Retrieved February 2, 2023 – via www.wired.com.
  35. Smith, Nathan (August 5, 2022). "Summer-Camp Horror Movies to Stream From Your Bunk". Vulture. Retrieved February 2, 2023.
  36. "'Get Out' Is The Type Of Movie The Oscars Should Pay Attention To". HuffPost. March 5, 2017. Retrieved February 2, 2023.
  37. "Jordan Peele's 'Us' Postmodernism and Free-Floating Racism". March 29, 2019. Retrieved February 2, 2023.
  38. Wolfe, Monica (October 2, 2021). "Mapping Imperialist Movement in Postmodern Horror Film Midsommar". Journal of Popular Film and Television. 49 (4): 210–222. doi:10.1080/01956051.2021.1881036. S2CID 246241427. Retrieved February 2, 2023 – via Taylor and Francis+NEJM.
  39. Walsh, Katie (October 28, 2021). "Review: A visual and aural feast, Edgar Wright's 'Last Night in Soho' has a few wobbles". Los Angeles Times. Retrieved February 2, 2023.
  40. Gittell, Noah (July 20, 2022). "Jordan Peele's Nope Fails to Dazzle When the Aliens Are Revealed - WCP". Washington City Paper. Retrieved February 2, 2023.

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