This article uses bare URLs, which are uninformative and vulnerable to link rot. Please consider converting them to full citations to ensure the article remains verifiable and maintains a consistent citation style. Several templates and tools are available to assist in formatting, such as reFill (documentation) and Citation bot (documentation). (August 2022) (Learn how and when to remove this message) |
List of digital video cameras with an image sensor larger than 2/3 inch and producing video in a horizontal resolution equal or higher than 1920 pixels.
Digital video cameras
Brand | Camera | Sensor size | Crop factor | Lens Mount | Recording media | Codec | Maximum video resolution | ISO range | Dynamic range (at native/peak ISO) | Shutter type | Anamorphic shooting | Internal filters | Frame rate(s) |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Arri | Alexa Alexa Plus |
23.76 x 13.37 mm | 1.52 | Arri PL | SxS card, T-link recorder (optional XR module upgrade) | 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card) 12-bit ARRIRAW (T-link recorder or XR drive) |
2048 x 1152 (ProRes/DNxHD codecs to SxS card) 2880 x 1620 (ARRIRAW to external recorders or XR drive) 3164 x 1778 (ProRes with XR module upgrade) |
160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8) | Rolling | None by default, 2x and 1.33x desqueeze with license | Optical low pass, IR, UV | 0,75 - 60 (default), 0.75 - 120 (with high speed license) |
Arri | Alexa Plus 4:3 Alexa M |
23.76 x 17.82 mm | 1.52 | Arri PL | SxS card, T-link recorder (optional XR module upgrade) | 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card) 12-bit ARRIRAW (T-link recorder or XR drive) |
2048 x 1152 (ProRes/DNxHD codecs to SxS card) 2880 x 2160 (ARRIRAW to external recorders or XR drive) 3164 x 1778 (ProRes with XR module upgrade) |
160 - 3200 (800 native) | 13.8 stops | Rolling | 2x and 1.33x desqueeze | Optical low pass, IR, UV | 0.75 - 120 |
Arri | Alexa Studio | 23.76 x 17.82 mm | 1.52 | Arri PL | SxS card, T-link recorder (optional XR module upgrade) | 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card) 12-bit ARRIRAW (T-link recorder or XR drive) |
2048 x 1152 (ProRes/DNxHD codecs to SxS card) 2880 x 1620 (ARRIRAW to external recorders or XR drive) 3164 x 1778 (ProRes with XR module upgrade) |
160 - 3200 (800 native) | 13.8 stops | Mechanical | 2x and 1.33x desqueeze | Optical low pass, IR, UV, ND 0.6-1.3 | 0.75 - 120 |
Arri | Alexa HD Alexa HD Plus |
23.76 x 13.37 mm | 1.52 | Arri PL | SxS card | 12-bit 4444 ProRes, 10-bit DNxHD (with license) | 1920 x 1080 | 160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8) | Rolling | None by default, 2x and 1.33x desqueeze with license | Optical low pass, IR, UV | 0,75 - 60 (default), 0.75 - 120 (with high speed license) |
Arri | Alexa Mini | 28.25 x 18.17 mm | 1.28 | Arri PL, EF, B4 (interchangeable) | CFast 2.0 card, SDI-6G recorders | 12-bit 4444 ProRes XQ, ARRIRAW | 3424 x 2202 (ARRIRAW) 3164 x 1778 (ProRes) 3840 x 2160 (In-camera upscaled ProRes) |
160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8) | Rolling | 2x and 1.33x desqueeze | Optical low pass, IR, UV, ND 0.6, 1.2, 2.1 | 0,75 - 200 (ProRes), 0.75 - 30 (ARRIRAW to CFast 2.0 card), 0,75 - 200 (ARRIRAW to external recorders) |
Arri | Alexa LF | 36.7 x 25.54 mm | 0.98 | LPL, ships with Arri PL adapter | SXR drive | 12-bit ARRIRAW, ProRes 4444 XQ | 4448x3096 (ARRIRAW) |
160 - 3200 (800 native) | 13.5 stops | Rolling | 2x and 1.33x desqueeze | Optical low pass, IR, UV | 23.98-150 |
Arri | Alexa Mini LF | 36.7 x 25.54 mm | 0.98 | LPL, ships with Arri PL adapter | Codex Compact Drive | 12-bit ARRIRAW, ProRes 4444 XQ | 4448x3096 (ARRIRAW) |
160 - 3200 (800 native) | 13.5 stops | Rolling | 2x and 1.33x desqueeze | Optical low pass, IR, UV, ND 0.6, 1.2, 1.8 | 23.98-90 |
Arri | Alexa SXT Alexa SXT Plus |
28.17 x 18.13 mm | 1.28 | Arri PL | SXR drive | 12-bit 4444 ProRes XQ, 12-bit ARRIRAW | 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes) | 160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8) | Rolling | 2x and 1.33x desqueeze | Optical low pass, IR, UV, internal ND filter module with filters sold separately | 0,75 - 120 |
Arri | Alexa SXT Studio | 28.17 x 18.13 mm | 1.28 | Arri PL | SXR drive | 12-bit 4444 ProRes XQ, 12-bit ARRIRAW | 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes) | 160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8) | Mechanical | 2x and 1.33x desqueeze | Optical low pass, IR, UV, internal ND filter module with filters sold separately | 0,75 - 120 |
Arri | Alexa XT Alexa XT Plus Alexa XT M |
28.17 x 18.13 mm | 1.28 | Arri PL | XR drive (optional SXR module upgrade, excluding Alexa XT M) | 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW | 2048 x 1152 (DNxHD) 3164 × 1778 (ProRes) 3414 x 2198 (ARRIRAW) 4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade) |
160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8) | Rolling | 2x and 1.33x desqueeze | Optical low pass, IR, UV, internal ND filter module with filters sold separately | 0,75 - 120 |
Arri | Alexa XT Studio |
28.17 x 18.13 mm | 1.28 | Arri PL | XR drive (optional SXR module upgrade) | 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW | 2048 x 1152 (DNxHD) 3164 × 1778 (ProRes) 3414 x 2198 (ARRIRAW) 4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade) |
160 - 3200 (800 native) | 14.5 stops (Log C, -6.7, +7.8) | Mechanical | 2x and 1.33x desqueeze | Optical low pass, IR, UV, ND 0.6-1.3 | 0,75 - 120 |
Arri | Alexa XT B+W Monochrome | 28.17 x 18.13 mm | 1.28 | Arri PL | XR drive (optional SXR module upgrade) | ProRes XQ, DNxHD (XR drive only), ARRIRAW | 2048 x 1152 (DNxHD) 3164 × 1778 (ProRes) 3414 x 2198 (ARRIRAW) 4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade) |
160 - 3200 (2000 native) | 15 stops | Rolling | 2x and 1.33x desqueeze | Omits bayer filters, internal ND filter module with filters sold separately | 0,75 - 120 |
Arri | Alexa 65 | 54.12 x 25.58 mm | 0.67 | Arri XPL | XR drive | ARRIRAW | 6560 x 3102 | 160 - 3200 (800 native) | 14 stops | Rolling | 0,75 - 27 (60 fps upcoming) | ||
Arri | Alexa 35 | 27.99 x 19.22 mm | Arri PL, LPL, Canon EF (interchangeable) | Codex Compact Drive | ARRIRAW, Apple ProRes 4444 XQ | 4608 × 3164 | 160 - 6400 | 16.3 stops (Log C,-8, +9) | Rolling | 1x-2x desqueeze | Optical low pass, IR, UV, ND 0.6, 1.2, 1.8 | 0.75 - 120 | |
Arri | Amira |
23.76 x 13.37 mm | 1.52 | Arri PL, B4, EF (interchangeable) | CFast 2.0 card | ProRes (10-bit 4:2:2 by default, 4:2:2 HQ and 12-bit 4444 with license)ARRIRAW (with license) | 1920 x 1080 (default) 2048 x 1152 (with 2K license) 2880 x 1620 (ARRIRAW) |
160 - 3200 (800 native) | 14.5 stops (Log C) 13.1 stops (usable) |
Rolling | None | Optical low pass, IR, UV, ND 0.6, 1.2, 2.1 | 0,75 - 100 (default), 200 and 4K 60 with license |
Arri | D-20 D-21 |
24.9 x 18.15 mm | 1.45 | Arri PL | HD-SDI recorder, T-link recorder | Uncompressed 12-bit 4:4:4 signal (HD-SDI recorders), ARRIRAW (T-link recorders) | 1920 x 1080 (HD-SDI recorders) 2880 x 2160 (ARRIRAW recorders) |
50 - 320 (D-20) 100 - 800 (D-21, 200 native) |
11 stops (Log C data mode, +6, -5) | Mechanical | 2x desqueeze | Optical low pass, IR | 1 - 60 |
Blackmagic | Cinema Camera | 15.81 x 8.88 mm CMOS | 2.28 | Canon EF, MFT, Arri PL | 2.5" SSD | 10-bit 4:2:2 ProRes, 10-bit DNxHD, 12-bit CinemaDNG RAW | 1920 x 1080 (ProRes/DNxHD) 2432 x 1366 (CinemaDNG RAW) |
200 - 1600 (800 native) | 13 stops (BMD Film, +6, -7) | Rolling | None | None | 23.98, 24, 25, 29.97, 30 |
Blackmagic | Micro Cinema Camera | 12.48 x 7.02 mm CMOS | 2.88 | MFT | SD card | 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW | 1920 x 1080 | 200 - 1600 (800 native) | 13 stops | Rolling | None | None | 23.98 - 60 |
Blackmagic | Pocket Cinema Camera |
12.48 x 7.02 mm CMOS | 2.88 | MFT | SD card | 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW | 1920 x 1080 | 200 - 1600 (800 native) | 13 stops (BMD Film, +6, -7) | Rolling | None | None | 23.98, 24, 25, 29.97, 30 |
Blackmagic | Pocket Cinema Camera 4K | 18.96 x 10 mm CMOS | 1.9 | Active MFT | CFast card, SD card, USB-C drives | 10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW | 4096 x 2160 (BRAW) 3840 x 2160 (ProRes) |
100-25,600
(400 & 3200 dual native ISO) |
13.1 stops (BMD Film ISO 400, +5.5, -7.6) 12.2 stops (BMD Film ISO 3200, +5.1, -7.2) |
Rolling | None | None | 23.98 - 60 |
Blackmagic | Pocket Cinema Camera 6K | 23.1 x 12.99 mm CMOS | Canon EF | CFast card, SD card, USB-C drives | 10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW | 6144 x 3456 (BRAW) 4096 x 2160 (ProRes) |
100-25,600
(400 & 3200 dual native ISO) |
13.5 stops (BMD Film ISO 400, +5.9, -7.8) 12.2 stops (BMD Film ISO 3200, +5.6, -6.5) |
Rolling | None | None | 23.98 - 60 | |
Blackmagic | Pocket Cinema Camera 6K (L-Mount) | 36 x 24 mm CMOS | 1 | Leica L-Mount | CFexpress card, USB-C drives | 12-bit Blackmagic RAW, 8-bit 4:2:0 H.264 | 6048 x 4032
(BRAW) 1920 x 1080 (H.264) |
100-25,600
(400 & 3200 dual native ISO) |
13.5 stops (BMD Film ISO 400, +5.9, -7.8) 12.1 stops (BMD Film ISO 3200, +5.6, -6.5) |
Rolling | 4.8K 6:5 sensor windowing | Optical low pass | 23.98 - 120 |
Blackmagic | Pocket Cinema Camera 6K Pro | 23.1 x 12.99 mm CMOS | Canon EF | CFast card, SD card, USB-C drives | 10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW | 6144 x 3456 (BRAW) 4096 x 2160 (ProRes) |
100-25,600
(400 & 3200 dual native ISO) |
13.5 stops (BMD Film ISO 400, +5.9, -7.8) 12.1 stops (BMD Film ISO 3200, +5.6, -6.5) |
Rolling | 3.7K 6:5 sensor windowing | ND 0.3, 0.6, 0.9 | 23.98 - 120 | |
Blackmagic | Production Camera 4K | 21.12 x 11.88 mm CMOS | 1.7 | Canon EF, MFT, Arri PL | 2.5" SSD | 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW | 3840 x 2160 (ProRes) 4000 x 2160 (CinemaDNG Raw) |
200 - 800 (400 native) | 12 stops (BMD Film, per manufacturer) 8.2 stops (usable) |
Global | None | None | 23.98, 24, 25, 29.97, 30 |
Blackmagic | Ursa 4K |
21.12 x 11.88 mm CMOS | 1.7 | Canon EF, Arri PL, B4 (interchangeable) | CFast 2.0 card | 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW | 3840 x 2160 (ProRes) 4000 x 2160 (CinemaDNG Raw) |
200 - 1600 (400 native) | 12 stops (BMD Film) | Global | None | None | 23.98, 24, 25, 29.97, 30, 50, 60 |
Blackmagic | Ursa 4.6K | 25.34 x 14.25 mm& CMOS | 1.42 | Canon EF, Arri PL, B4 (interchangeable) | CFast 2.0 card | 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW | 4608 x 2592 (CinemaDNG RAW) 3840 x 2160 (ProRes) |
200 - 1600 (800 native) | 15 stops | Rolling | 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze | None | 23.98 - 120 |
Blackmagic | Ursa Mini 4K | 21.12 x 11.88 mm | 1.7 | Canon EF, Arri PL | CFast 2.0 card | 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW | 3840 x 2160 (ProRes) 4000 x 2160 (CinemaDNG Raw) |
200 - 1600 (400 native) | 12 stops (BMD Film)
8.5 stops (usable) |
Global | None | None | 23.98 - 60 |
Blackmagic | Ursa Mini 4.6K | 25.34 x 14.25 mm | 1.42 | Canon EF, Arri PL | CFast 2.0 card | 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW | 4608 x 2592 (CinemaDNG RAW) 3840 x 2160 (ProRes) |
200 - 1600 (800 native) | 15 stops
~12 stops (usable) |
Rolling | 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze | None | 23.98 - 60 |
Blackmagic | Ursa Mini Pro | 25.34 x 14.25 mm | 1.42 | Canon EF, Arri PL (interchangeable) | CFast 2.0 card, SD card | 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW | 4608 x 2592 (CinemaDNG RAW) 3840 x 2160 (ProRes) |
200 - 1600 (800 native) | 15 stops | Rolling | 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze | IR ND 0.6, 1.2, 1.8 | 23.98 - 60 |
Blackmagic | Ursa Mini Pro G2 | 25.34 x 14.25 mm | 1.42 | Canon EF, Arri PL, B4, F-Mount (interchangeable) | CFast 2.0 card, SD card | 12-bit 4444 ProRes XQ, 12-bit Blackmagic RAW | 4608 x 2592 (BRAW)
3840x2160 (Prores) |
200 - 3200 (800 native) | 15 stops | Rolling | 3K 1.2:1 sensor windowing and 2x, 1.3x desqueeze | IR ND 0.6, 1.2, 1.8 | 23.98 - 120 |
Blackmagic | Ursa Mini Pro 12K | 27.03 x 14.25 mm | 1.42 | Canon EF, Arri PL, F-Mount (interchangeable) | CFast 2.0 card, SD card, 2.5-inch SSD via URSA Mini Recorder | 12-bit Blackmagic RAW | 12,288 x 6480 | 200 - 3200 (800 native) | 14 stops | Rolling | 1.2:1 sensor windowing and 2x, 1.3x desqueeze | IR ND 0.6, 1.2, 1.8, optical low pass (OLPF model) | 23.98 - 160 |
Canon | C70 | 26.2 x 13.8 mm | 1.46 | Canon RF (RF to EF adapter included) | SD card | 10 bit 4:2:2 XF-AVC, HEVC, 12-bit Cinema RAW Light | 4096 x 2160 | 100 - 102,400 (800 native) | 12.8 stops | Rolling | None | Optical low pass, IR, ND 0.6, 1.2, 1.8 (ND 0.6, 1.2, 1.8, 2.4, 3.0 expanded) | 23.98-120 |
Canon | C100 |
24.6 x 13.8 mm | 1.46 | Canon EF | SD card, HDMI recorder | 8-bit 4:2:0 AVCHD (internal recording), uncompressed 4:2:2 signal (HDMI recorders) | 1920 x 1080 | 320 to 80,000 (850 native) | 12 stops (Canon Log, -6.7, +5.3) | Rolling | None | Optical low pass, IR, ND 0.6, 1.2, 1.8 | 1-30 (1-60) |
Canon | C100 Mark II |
24.6 x 13.8 mm | 1.46 | Canon EF | SD card, HDMI recorder | 8-bit 4:2:0 AVCHD, MP4 (internal recording), uncompressed 4:2:2 signal (HDMI recorders) | 1920 x 1080 | 320 to 102,400 (850 native) | 12 stops (Canon Log, -6.7, +5.3) | Rolling | None | Optical low pass, IR, ND 0.6, 1.2, 1.8 | 1-60 |
Canon | C200 | 24.6 x 13.8 mm | 1.46 | Canon EF, Arri PL (interchangeable with mount kit) | CFast 2.0 card, SD card | 12-bit Cinema RAW Light (to CFast card), 8-bit 4:2:0 MPEG4 (to SD card, uncompressed 4K 12-bit signal (HDMI recorders) or 2K signal (HD-SDI recorders) | 4096 x 2160 (Cinema RAW Light) 3840 x 2160 (MPEG4) |
100 to 102,400 (800 native) | 13 stops | Rolling | None | Optical low pass, IR, ND 0.6, 1.2, 1.8 (ND 0.6, 1.2, 1.8, 2.4, 3.0 expanded) | 23.98-60 (4K) 23.98-120 (1080p) |
Canon | C300 |
24.6 x 13.8 mm | 1.46 | Canon EF, Arri PL | CF card, HDMI/HD-SDI recorder | 8-bit 4:2:2 MPEG2 (internal recording), uncompressed signal (HDMI/HD-SDI recorders) | 1920 x 1080 | 320 to 80,000 (850 native) | 12 stops (Canon Log, -6.7, +5.3) | Rolling | None | Optical low pass, IR, ND 0.6, 1.2, 1.8 | 1-30 (1-60) |
Canon | C300 Mark II |
24.6 x 13.8 mm | 1.46 | Canon EF, Arri PL (interchangeable by Canon) | CFast 2.0 card, HDMI/HD-SDI recorder | 10-bit 4:2:2 MPEG2 (4K internal recording), 12-bit 4:4:4 MPEG2 (2K internal recording), uncompressed 4K 12-bit signal (HDMI recorders) or 2K signal (HD-SDI recorders) | 4096 x 2160 | 320 to 102,400 (800 native) | 12.3 stops (Canon Log 2) | Rolling | None | Optical low pass, IR, ND 0.6 - 3 | 1-30 (4K) 1-120 (2K) |
Canon | C300 Mark III | 26.2 x 13.8 mm | 1.37 | Canon EF, Arri PL (interchangeable with mount kit) | CFexpress card, SD card, HDMI/HD-SDI recorder | 12-bit Cinema RAW Light, 10-bit 4:2:2 MPEG2, uncompressed 4K 12-bit signal (HDMI/HD-SDI recorders) | 4096 x 2160 | 100 to 102,400 (800 native) | 12.8 stops (Canon Log) | Rolling | 2x and 1.33x desqueeze | Optical low pass, IR, ND 0.6 - 3 | 1-120 (4K) 1-180 (2K) |
Canon | C500 |
26.2 x 13.8 mm | 1.37 | Canon EF, Arri PL | CF card, HDMI/HD-SDI recorder | 8-bit 4:2:2 MPEG2 (internal recording), uncompressed 4K 10-bit 4:4:4 or 2K 12-bit 4:4:4 signal (HD-SDI recorders) | 1920 x 1080 (internal recording) 4096 x 2160 (HD-SDI recorders) |
320 to 80,000 (850 native) | 12 stops (Canon Log, -6.7, +5.3) | Rolling | None | Optical low pass, IR, ND 0.6, 1.2, 1.8 | 1-30 (1-60) |
Canon | C500 Mark II |
38.1 x 20.1 mm | 0.94 | Canon EF, Arri PL (interchangeable) | CFexpress card, SD card, HDMI/HD-SDI recorder | 12-bit Cinema RAW Light, 10-bit 4:2:2 MPEG2, uncompressed 4K 12-bit signal (HD-SDI recorders) | 5952 x 3140 | 100 to 102,400 (800 native) | 13.1 stops (Canon Log) | Rolling | 2x and 1.33x desqueeze | Optical low pass, IR, ND 0.6, 1.2, 1.8 | 1-30 (1-60) |
Canon | C700 C700 GS PL |
26.2 x 13.8 mm | 1.37 | Canon EF, Arri PL (interchangeable by Canon) | CFast 2.0 card, SD card, Codex recorder | 12-bit 4444 ProRes, 12-bit 4:4:4 XF-AVC (to CFast 2.0 card), 8-bit XF-AVC (SD card), 12-bit RAW (to external recorders) | 4096 x 2160 (internal recording) 4512 x 2376 (RAW to external recorder) |
100 to 102,400 (850 native) | 15 stops (Canon Log 2, -8.7, +6.3) 14 stops (GS PL global shutter) |
Rolling Global (GS PL version) |
1.3x and 2x desqueeze | Optical low pass, IR, ND 0.6, 1.2, 1.8, 2.4, 3.6 | 23.98-60 (6K), 23.98-120 (2K) |
Canon | C700 FF | 38.1 x 20.1 mm | 0.94 | Canon EF, Arri PL (interchangeable by Canon) | CFast 2.0 card, SD card, Codex recorder | 12-bit 4444 ProRes, 12-bit 4:4:4 XF-AVC (to CFast 2.0 card), 8-bit XF-AVC (SD card), 12-bit RAW (to external recorders) | 4096 x 2160 (internal recording) 5952 x 3140 (RAW to external recorder) |
100 to 102,400 (850 native) | 15 stops (Canon Log 2, -8.7, +6.3) 14 stops (GS PL global shutter) |
Rolling Global (GS PL version) |
1.3x and 2x desqueeze | Optical low pass, IR, ND 0.6, 1.2, 1.8, 2.4, 3.6 | 23.98-60 (ProRes/XF-AVC), 23.98-120 (4K RAW), 23.98-240 (2K RAW) |
Canon | ME20F-SH | Full frame 35 mm | Canon EF | 1920 x 1080 | 800 to 4,560,000 | 12 stops | IR, ND 1/8, 1/64 | 23.98-59.94 | |||||
Dalsa | Origin II |
34 x 17.2 mm | 1.06 | Arri PL | 1920 x 1080 | 30 | |||||||
Digital Bolex | D16 | 12.85 x 9.64 mm CCD | 2.8 | C-mount, EF, MFT, PL | CF card, internal flash storage (non-removable) | 12-bit 4:4:4 CinemaDNG RAW | 2048 x 1152 | 100 - 800 (200 native) | 12 stops | Global | None | Optical low pass | 23.98-90 |
Digital Bolex | D16 Monochrome | 12.85 x 9.64 mm CCD | 2.8 | C-mount, EF, MFT, PL | CF card, internal flash storage (non-removable) | CinemaDNG RAW | 2048 x 1152 | 13 stops | Global | None | Omits bayer filters | 23.98-90 | |
Hitachi | SK-UHD8000 | Super 35 | Arri PL | 7680 X 4320 8K | |||||||||
Ikegami | SHK-810 | Super 35 | Arri PL | 7680 X 4320 8K | |||||||||
JVC | GY-LS300 | Super 35 | 1.5 | Micro Four Thirds | SD card (dual slot: mirror, relay, proxy, sequential) | H.264 8 bit 4:2:0 / 4:2:2 up to 150 Mbit/s | 4096 x 2160 4K
3840 x 2160 4K |
400 - 25600
(400 native) |
11.8 stops
(-6.3, + 5.5) |
Rolling | None | ND 0.6, 1.2, 1.8 | 23.976-120 |
Panasonic | AG-AF100
AG-AF101 AG-AF102 AG-AF105 |
17.8 x 10 mm | 2.02 | Micro Four Thirds | SD card(dual slot, only sequential) | AVCHD 4:2:0 8 bit 24 Mbit/s
RAW 4:2:2 8 bit (external) |
1920 x 1080 | 200 - 3200
(400 native) |
10.2 stops
(-5.9, +4.3) at ISO 800 |
Rolling | None | ND 0.6, 1.2, 1.8 | 12-60 |
Panasonic | AJ-HPX3700 |
2/3" CCD x 3 | 4.09 | 2/3 inch bayonet mount | H.264, AVC-Intra 100 | 1920 x 1080 | 24, 1-60 | ||||||
Panasonic | AJ-HPX2000 | 2/3" CCD x 3 | 4.09 | 2/3 inch bayonet mount | DVCPRO HD 137 Mbit/s | 1920 x 1080 | 60 (interlaced) | ||||||
Panasonic | AJ-HPX3100GJ | 2/3" CCD x 3 | 4.09 | 2/3 inch bayonet mount | AVC-Intra 100, DVCPRO HD 68 Mbit/s | 1920 x 1080 | 30 (60) | ||||||
Panasonic | AK-SHB800GJ | Full frame 35mm CMOS | EF lens mount | 8K | |||||||||
Panasonic | AU-EVA1 | Full frame 35mm MOS | 1.5 | EF lens mount | SDHC, SDXC | MOV: 4:2:2 10 bit/4:2:0 8 bit
AVCHD: 4:2:0 8 bit |
4096 x 2160 | NATIVE: 800, 2500
800 Base: 200 to 2000 2500 Base: 1000 to 25600 |
14 stops | Rolling | ND Filter: CLEAR, 0.6ND, 1.2ND, 1.8ND, Electrical driven
IR Cut Filter: USER assignable IR shooting (filter ON/OFF) |
23.98p - 240p | |
Panasonic | Varicam 35 | 26.688 mm × 14.184 mm | 1.35 | 35 mm, PL | expressP2 card, P2 card, microP2 card | V-RAW 12 bit/10 bit, AVC-Intra4K444, ProRes 4444 | 4096 x 2160 | 800 - 12,800 (800 & 5000 dual native ISO) | 14+ stops | Rolling | 1.33:1 and 2.0:1 desqueeze | UV/IR-cut filter, ND 0.6, 1.2, 1.8, CLEAR | 23.98p - 120p |
Panasonic | Varicam LT | 26.688 mm × 14.184 mm | 1.35 | EF, PL | expressP2 card, P2 card, microP2 card | V-RAW 12 bit/10 bit, AVC-Intra4K444, ProRes 4444 | 4096 x 2160 | 800 - 12,800 (800 & 5000 dual native ISO) | 14+ stops | Rolling | 1.33:1 and 2.0:1 desqueeze | UV/IR-cut filter, ND 0.6, 1.2, 1.8, CLEAR | 23.98p - 59.94 |
Panavision | Millennium DXL | 40.96 x 21.60mm | 0.88 | Panavision PV mount | Mini RedMag SSD | 16-bit Redcode RAW, ProRes, DNxHD | 8192 x 4320 | 800 native | 14.8 stops | 2x and 1.33x desqueeze | 23.98 - 60 (8K) | ||
Panavision | Millennium DXL 2 | 40.96 x 21.60mm | 0.88 | Panavision PV mount | Mini RedMag SSD | 16-bit Redcode RAW, ProRes, DNxHD | 8192 x 4320 | 1600 native | 14.9 stops | 2x and 1.33x desqueeze | 23.98 - 60 (8K) | ||
Panavision | Genesis | 24.89 x 16.86mm | 1.45 | Panavision PV mount | HD-SDI recorder, SSR-1 recorder, HDCAM recorder | 10-bit 4:4:4 signal (HD-SDI recorders) | 1920 x 1080 | 400 - 1600 (400 native) | 8 stops | Global | None | 30 (1-60) | |
Panavision | HD900F | 2/3" CCD | 4.09 | Panavision PV mount | HDCAM | 1920 x 1080 | 30 (24) | ||||||
Red | Epic Dragon |
30.7 x 15.8 mm | 1.25 | PL, EF, F-mount (interchangeable) | RedMag SSD (optional Mini RedMag SSD module upgrade) | 16-bit .r3d | 6144 x 3160 | 80 – 12800 (250 native) | 14.8 stops (RedLogFilm, -8.3, +6.5) | Rolling (optional Motion Mount upgrade adds mechanical shutter) | 1.22:1 sensor windowing and 2x/1.3x desqueeze | Combination optical low pass/IR (interchangeable with low-light optimized version), optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-100 (6K) 1-120 (5K) 1-150 (4K) 1-200 (3K) 1-300 (2K) |
Red | Epic Dragon Monochrome | 30.7 x 15.8 mm | 1.25 | PL, EF, F-mount (interchangeable) | RedMag SSD (optional Mini RedMag SSD module upgrade) | .r3d | 6144 x 3160 | Rolling (optional Motion Mount upgrade adds mechanical shutter) | 1.22:1 sensor windowing and 2x/1.3x desqueeze | Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-100 (6K) 1-120 (5K) 1-150 (4K) 1-200 (3K) 1-300 (2K) | ||
Red | Epic Mysterium-X |
27.7 x 14.6 mm | 1.38 | PL, EF, F-mount (interchangeable) | RedMag SSD (optional Mini RedMag SSD module upgrade) | 16-bit .r3d | 5120 x 2700 | 80 – 12800 (800 native) | 12.5 stops (-7, +5.5) | Rolling (optional Motion Mount upgrade adds mechanical shutter) | 1.22:1 sensor windowing and 2x/1.3x desqueeze | Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-120 (5K) 1-180 (3K) 1-225 (2K) |
Red | Epic Mysterium-X Monochrome | 27.7 x 14.6 mm | 1.38 | PL, EF, F-mount (interchangeable) | RedMag SSD (optional Mini RedMag SSD module upgrade) | .r3d | 5120 x 2700 | 80 – 12800 (2000 native) | Rolling (optional Motion Mount upgrade adds mechanical shutter) | 1.22:1 sensor windowing and 2x/1.3x desqueeze | Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-120 (5K) 1-180 (3K) 1-225 (2K) | |
Red | Epic-W Gemini |
30.72 x 18 mm | 1.25 | PL, EF, F-mount (interchangeable) | Mini RedMag SSD | 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX | 5120 x 3000 (r3d) 4096 x 2160 (ProRes, DNxHR) |
800, 3200 dual native ISO rating with Standard OLPF) | 15.2 stops | Rolling (optional Motion Mount upgrade adds mechanical shutter) | 1.22:1 sensor windowing and 2x/1.3x desqueeze | Combination optical low pass/IR (interchangeable with low-light optimized version), optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-30 (8K) 1-75 (6K) 1-96 (5K) 1-120 (4K) 1-150 (3K) 1-240 (2K) |
Red | Epic-W Helium |
29.9 x 15.8 mm | 1.28 | PL, EF, F-mount (interchangeable) | Mini RedMag SSD | 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX | 8192 x 4320 (r3d) 4096 x 2160 (ProRes, DNxHR) |
1280-2500 (Balanced ISO rating with Standard OLPF) | 15.2 stops | Rolling (optional Motion Mount upgrade adds mechanical shutter) | 1.22:1 sensor windowing and 2x/1.3x desqueeze | Combination optical low pass/IR (interchangeable with low-light optimized version), optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-30 (8K) 1-75 (6K) 1-96 (5K) 1-120 (4K) 1-150 (3K) 1-240 (2K) |
Red | Komodo | 27.03 x 14.25 mm | 1.416 | Canon RF | CFast 2.0 card | 12-bit .r3d | 6144 x 3240 | 12.5 stops (R3D HQ)
12.2 stops (ProRes 422 HQ) |
Global | Yes | No | 23.98-40 (6K)
23.98-48 (5K) 23.98-60 (4K) 23.98-120 (2K) | |
Red | One |
24.4 x 13.7 mm | 1.48 | PL, EF, F-mount (interchangeable) | CF card, Red Hard Drive (optional RedMag SSD module upgrade) | 12-bit .r3d | 4096 x 2304 | 100 - 2000 (320 native) | 11.3 stops | Rolling | 1.22:1 sensor windowing and 2x desqueeze | 1-30 (120) | |
Red | One Mysterium-X |
24.2 x 12.5 mm | 1.59 | PL, EF, F-mount (interchangeable) | CF card, Red Hard Drive (optional RedMag SSD module upgrade) | 12-bit .r3d | 4480 x 2304 | 100 - 6400 (800 native) | 11.9 stops (-7, +5) | Rolling | 1.22:1 sensor windowing and 2x desqueeze | 1-30 (120) | |
Red | Raven | 23.04 x 10.8 mm | 1.56 | Canon EF | Mini RedMag SSD | 16-bit .r3d, 10-bit 422 ProRes | 4608 × 2160 (r3d) 2048 × 1080 (ProRes) |
250 native | 14.8 stops (RedLogFilm, -8.3, +6.5) | Rolling | None | Combination optical low pass/IR | 1-120 (4K) 1-160 (3K) 1-240 (2K) |
Red | Scarlet Mysterium-X | 27.7 x 14.6 mm | 1.38 | PL, EF, F-mount (interchangeable) | RedMag SSD (optional Mini RedMag SSD module upgrade) | 16-bit .r3d | 5120 x 2700 (Maximum 12 fps) 4096 x 2160 |
80 – 12800 (800 native) | 11.9 stops (-7, +5) | Rolling (optional Motion Mount upgrade adds mechanical shutter) | None | Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-12 (5K) 1-30 (4K) 1-48 (3K) 1-60 (1080p) 1-120 (1K) |
Red | Scarlet Dragon | 30.7 x 15.8 mm | 1.17 | PL, EF, F-mount (interchangeable) | RedMag SSD (optional Mini RedMag SSD module upgrade) | 16-bit .r3d | 6144 x 3160 (Maximum 12 fps) 5120 x 2700 |
80 – 12800 (250 native) | 14.8 stops (RedLogFilm, -8.3, +6.5) | Rolling (optional Motion Mount upgrade adds mechanical shutter) | 1.22:1 sensor windowing and 2x/1.3x desqueeze | Combination optical low pass/IR (interchangeable with low-light optimized version), optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-12 (6K) 1-48 (5K) 1-60 (4K) 1-80 (3K) 1-120 (2K) |
Red | Scarlet-W Dragon | 25.6 x 13.5 mm | 1.41 | PL, EF, F-mount (interchangeable) | Mini RedMag SSD | 16-bit .r3d, 10-bit 4:2:2 ProRes HQ | 5120 × 2700 (r3d) 2048 × 1080 (ProRes) |
250 native | 14.8 stops (RedLogFilm, -8.3, +6.5) | Rolling (optional Motion Mount upgrade adds mechanical shutter) | 1.22:1 sensor windowing and 2x/1.3x desqueeze | Combination optical low pass/IR (interchangeable with low-light optimized version), optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-60 (5K) 1-120 (4.5K) 1-150 (4K) 1-200 (3K) 1-300 (2K) |
Red | V-Raptor | 40.96 x 21.60 mm | 0.93 | Canon RF (EF with adapter) | CFexpress | 16-bit .r3d, ProRes 4444 XQ | 8192 × 4320 (r3d) 4096 x 2160 (ProRes) |
14.9 stops | Rolling | 2x-1.25x desqueeze | Combination optical low pass/IR | 1-150 (8K) 1-200 (6K) 1-300 (4K) 1-600 (2K) | |
Red | Weapon Dragon 6K | 30.7 x 15.8 mm | 1.25 | PL, EF, F-mount (interchangeable) | Mini RedMag SSD | 16-bit .r3d, 12-bit 4444 ProRes XQ | 6144 x 3160 (r3d) 2048 x 1152 (ProRes) |
250 native | 14.8 stops (RedLogFilm, -8.3, +6.5) | Rolling (optional Motion Mount upgrade adds mechanical shutter) | 1.22:1 sensor windowing and 2x/1.3x desqueeze | Combination optical low pass/IR (interchangeable with low-light optimized version), optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1-100 (6K) 1-120 (5K) 1-150 (4K) 1-200 (3K) 1-300 (2K) |
Red | Weapon Dragon 8K | 40.96mm x 21.6mm | 0.93 | PL, EF, F-mount (interchangeable) | Mini RedMag SSD | 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX | 8192 x 4320 (r3d) 4096 x 2160 (ProRes) 4096 x 2160 (DNxHR) |
250 native | 14.8 stops (RedLogFilm, -8.3, +6.5) | Rolling (optional Motion Mount upgrade adds mechanical shutter) | 1.22:1 sensor windowing and 2x/1.3x desqueeze | Combination optical low pass/IR (interchangeable with low-light optimized version), optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1 - 75 (8K) |
Red | Weapon Helium | 29.9mm x 15.8mm | 1.28 | PL, EF, F-mount (interchangeable) | Mini RedMag SSD | 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX | 8192 x 4320 (r3d) 4096 x 2160 (ProRes, DNxHR) |
1280-2500 (Balanced ISO rating with Standard OLPF) | 15.2 stops | Rolling (optional Motion Mount upgrade adds mechanical shutter) | 1.22:1 sensor windowing and 2x/1.3x desqueeze | Combination optical low pass/IR (interchangeable with low-light optimized version), optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 1 - 60 (8K) |
Red | Weapon Monstro 8K VV | 40.96 mm x 21.60 mm | 0.93 | PL, EF, F-mount (interchangeable) | Mini RedMag SSD | 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX | 8192 x 4320 (r3d) 4096 x 2160 (ProRes) 4096 x 2160 (DNxHR) |
250-12,800, default 800 | 14.9 stops | Rolling (optional Motion Mount upgrade adds mechanical shutter) | 1.22:1 sensor windowing and 2x/1.3x desqueeze | Combination optical low pass/IR (interchangeable with low-light optimized version), optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) | 60 fps (8K)
75 fps (8K 2.4:1) 100 fps (6K 2.4:1) 96 fps (5K) 120 fps (5K 2.4:1) 150 fps (4K 2.4:1) 200 fps (3K 2.4:1) 240 fps (2K) 300 fps (2K 2.4:1) |
Sony | F35 |
21.6 x 13.3 mm | 1.67 | Arri PL | 1920 x 1080 | 400 native | 11.3 stops (-5, +6.3) | Global | 1-60 | ||||
Sony | F65 |
24.7 x 13.1 mm | 1.46 | Arri PL | SR Memory Recorder | 8182 x 2160 | 800 native | 14 stops (-7, +7) | Mechanical | 2x and 1.3x desqueeze | Optical low pass, ND 0.9, 1.2, 1.5, 1.8 | 1-60 | |
Sony | F55 |
24 x 12.7 mm | 1.46 | Sony FZ, Arri PL | SxS card, AXS-R5 Recorder | 4096 x 2160 | 1250 native | 14 stops | Global | 1.3x and 2x desqueeze | Optical low pass (interchangeable), ND 0.9, 1.8 | 1-60 | |
Sony | NEX-FS100 |
21.6 x 13.3 mm | 1.67 | E-mount | MPEG4 AVCHD 28 Mbit/s | 1920 x 1080 | 800 native | 11.5 stops (-6.5, +5) | Rolling | None | 1, 2, 4, 8, 15, 30, 60 | ||
Sony | NEX-FS700NEX-FS700E
NEX-FS700U NEX-FS700R |
23.6 x 13.3 mm | 1.53 | E-mount | SD card, Memory Stick, HD-SDI recorder, AXS-R5 recorder | MPEG4 AVCHD | 4096 x 2160 (updated FS700/E or FS700U/R native; available only when using an external recorder)
1920x1080 (all) |
500 native | 12 stops (-7, +5) | Rolling | ND 0.6, 1.2, 1.8 | 1-240 | |
Sony | NEX-EA50 | 23.5 x 15.6 mm | 1.54 | E-mount | SD card, Memory Stick | AVCHD 2.0 28 Mbit/s | 1920 x1080 | 160-5000 | Rolling | 60, 50, 30, 25, 24 | |||
Sony | NEX-VG10 | 23.4 x 15.6 mm | 1.54 | E-mount | SD card, Memory Stick | AVCHD 24 Mbit/s | 1920 x 1080 | Rolling | 60i, 30 | ||||
Sony | NEX-VG20 | 23.4 x 15.6 mm | 1.54 | E-mount | SD card, Memory Stick | AVCHD 2.0 24 Mbit/s | 1920 x 1080 | Rolling | None | 60, 50, 30, 25, 24 | |||
Sony | NEX-VG30 | 23.4 x 15.6 mm | 1.54 | E-mount | SD card, Memory Stick | AVCHD 2.0 24 Mbit/s | 1920 x 1080 | Rolling | None | 60, 50, 30, 25, 24 | |||
Sony | NEX-VG900 | 35.8 x 23.9 mm | 1.01 | E-mount | SD card, Memory Stick | AVCHD 2.0 28 Mbit/s | 1920 x 1080 | Rolling | None | 60, 50, 30, 25, 24 | |||
Sony | PMW-F3K, PMW-F3L |
21.6 x 13.3 mm | 1.67 | FZ- mount, PL-mount | SxS card | MPEG2 35 Mbit/s | 1440 x 1080 | 800 native | 11.2 stops (-7, +4.3) | Rolling | ND 0.9, 1.8 | 1, 2, 4, 8, 15, 30, 60 | |
Sony | PMW-F5 | 24 x 12.7 mm | 1.5 | E-mount, PL-mount | MPEG2 35 Mbit/s | 1920 x 1080 (default) 4096 x 2160 (with 4K license or altering internal preferences) |
2000 native | 14 stops | Rolling | 1.3x and 2x desqueeze | Optical low pass (interchangeable), ND 0.9, 1.8 | 1, 2, 4, 8, 15, 30, 60 | |
Sony | Sony PXW-FS5 | 24 x 12.7 mm | 1.5 | E-mount | SD card | XAVC Long, AVCHD | 3840 x 2160 | 3200 native | 14 stops | Rolling | ND 0.6, 1.2, 1.8, 2.1 | ||
Sony | Sony PXW-FS7 | 24 x 12.7 mm | 1.5 | E-mount | XQD card, HD-SDI and HDMI 2.0 recorder | XAVC Intra, XAVC Long, MPEG 2 600 Mbit/s, ProRes (422 HQ, 422 1080p, upcoming) | 4096 x 2160 | 2000 native | 14 stops12.5 stops (usable) | Rolling | ND 0.6, 1.2, 1.8 | 23.98 - 60 (4K), 23.98 - 180 (1080p) | |
Sony | VENICE | 36 x 24 mm with full frame license, 24.3 x 12.8 mm by default | 1 | E-mount, PL mount (add-on) | SxS card, AXS-R7 recorder (add-on, optional, records onto AxS cards) | 10-bit XAVC, 422 Apple ProRes (SxS card), 16-bit RAW (AXS-R7 recorder) | 6048 x 4032 (with full frame license) 4096 x 2160 (default) |
500 and 2500 dual native | 15 stops (-9, +6) | Rolling | 4:3 sensor-windowing and 2x desqueeze with license | ND 0.3-2.4 | 23.98 - 120 (4K), 23.98 - 60 (6K) |
Vision Research, Inc | Phantom 65 | 52.1 x 30.5 mm | 0.69 | Arri PL (standard), Nikon F / Mamiya 645 (optional) | Cine RAW 2341 Mbit/s | 4096 x 2440 | 141, (1080p320) | ||||||
Vision Research | Phantom Flex | 52.1 x 30.5 mm | 0.69 | Arri PL (standard), Nikon F / Mamiya 645 (optional) | Cine RAW 3181 Mbit/s | 2560 x 1600 | 9.9 stops (-5.4, +4.5) | 1455 (1080p2570) |
Still cameras with video mode
Brand | Camera | Sensor size | Lens Mount | Recording media | Maximum video resolution | Native ISO | Dynamic range (native/peak ISO) | Shutter type | Frame rate(s) | Codec |
---|---|---|---|---|---|---|---|---|---|---|
Canon | 1D Mark IV |
27.9 x 18.6 mm | Canon EF | CF card, SD card | 1920 x 1080 | 11.2 stops (-7, +4.3) | Rolling | 23.976, 25, 29.97 (50, 59.94) | H.264 | |
Canon | 1D X |
36 x 24 mm | Canon EF | CF card | 1920 x 1080 | Rolling | 24, 25, 30 (50, 60) | MPEG4 | ||
Canon | 1D C |
36 x 24 mm | Canon EF | CF card | 4096 x 2160 | 11.7 stops | Rolling | 24, 25, 30 (50, 60) | MPEG4 | |
Canon | 5D Mark II |
36 x 24 mm | Canon EF | CF card | 1920 x 1080 | 160 | 11.2 stops (-7, +4.2) | Rolling | 24, 25, 30 | H.264 |
Canon | 5D Mark III | 36 x 24 mm | Canon EF | CF card, SD card, HDMI recorder | 1920 x 1080 | 160 | 11.2 stops 11.6 stops (sensor Raw) |
Rolling | 24, 25, 30 | H.264 90 Mbit/s (internal recording), uncompressed signal (HDMI recording) |
Canon | 6D |
35.8 x 23.9mm | Canon EF | SD card | 1920 x 1080 | 160 | Rolling | 24, 25, 30 (50,60) | H.264 90 Mbit/s | |
Canon | 7D |
22.3 x 14.9 mm | Canon EF/EF-S | CF card | 1920 x 1080 | 160 | 11 stops (-5.5, +5.4) | Rolling | 24, 25, 30 (50,60) | H.264 |
Canon | 7D Mark II |
22.3 x 14.9 mm | Canon EF/EF-S | CF card, SD card | 1920 x 1080 | 160 | Rolling | 24, 25, 30 (50,60) | H.264 | |
Canon | 60D |
22.3 x 14.9 mm | Canon EF/EF-S | SD card | 1920 x 1080 | 160 | Rolling | 24, 25, 30 | H.264 | |
Canon | 550D |
22.3 x 14.9 mm | Canon EF/EF-S | SD card | 1920 x 1080 | Rolling | 24, 25, 30 | H.264 | ||
Canon | 600D |
22.3 x 14.9 mm | Canon EF/EF-S | SD card | 1920 x 1080 | Rolling | 24, 25, 30 | H.264 | ||
Canon | 650D |
22.3 x 14.9 mm | Canon EF/EF-S | SD card | 1920 x 1080 | Rolling | 24, 25, 30 | H.264 | ||
Canon | 700D |
22.3 x 14.9 mm | Canon EF/EF-S | SD card | 1920 x 1080 | Rolling | 24, 25, 30 | H.264 | ||
Canon | 750D |
22.3 x 14.9 mm | Canon EF/EF-S | SD card | 1920 x 1080 | Rolling | 24, 25, 30 | H.264 | ||
Nikon | D3100 | 23.1 x 15.4 mm | Nikon F | SD card | 1920 x 1080 | Rolling | 24 (24, 25, 30) | MPEG4 | ||
Nikon | D3200 | 23.2 x 15.4 mm | Nikon F | SD card | 1920 x 1080 | Rolling | 24, 25, 30 | MPEG4 | ||
Nikon | D4 |
36.0 x 23.9 mm | Nikon F | CF card, XQD card | 1920 x 1080 | Rolling | 24, 25, 30 (50, 60) | H.264/MPEG4 24 Mbit/s | ||
Nikon | D5100 |
23.6 x 15.7 mm | Nikon F | SD card | 1920 x 1080 | Rolling | 24, 25, 30 | MPEG4 | ||
Nikon | D7000 |
23.6 x 15.7 mm | Nikon F | SD card | 1920 x 1080 | 10.2 stops (-6.7, +3.6) | Rolling | 24 (24, 25, 30) | MPEG4 | |
Nikon | D750 |
35.9 x 24 mm | Nikon F | SD card, 8-bit uncompressed 4:2:2 via HDMI | 1920 x 1080 | Rolling | 24, 25, 30, 50, 60 | H.264/MPEG4, ~38 Mbit/s | ||
Nikon | D800 |
35.9 x 24 mm | Nikon F | CF card, SD card | 1920 x 1080 | Rolling | 24, 25, 30 (50, 60) | H.264/MPEG4 24 Mbit/s | ||
Panasonic | DMC-G3 |
17.3 x 13 mm | Micro Four Thirds | SD card | 1920 x 1080 | 60 (60, 30) | AVCHD | |||
Panasonic | DMC-GF2 |
17.3 x 13 mm | Micro Four Thirds | SD card | 1920 x 1080 | 60 (60, 30) | AVCHD | |||
Panasonic | DMC-GF3 |
17.3 x 13 mm | Micro Four Thirds | SD card | 1920 x 1080 | 60 (60, 30) | AVCHD | |||
Panasonic | DMC-GH1 |
18.89 x 14.48 mm | Micro Four Thirds | SD card | 1920 x 1080 | 30 | AVCHD | |||
Panasonic | DMC-GH2 |
18.89 x 14.48 mm | Micro Four Thirds | SD card | 1920 x 1080 | 24, 60 (30) | AVCHD 22 Mbit/s | |||
Panasonic | DMC-GH3 |
17.3 x 13 mm | Micro Four Thirds | SD card | 1920 x 1080 | 24, 60 (30) | H.264, AVCHD 2 (All-I, IPB) 22-72 Mbit/s | |||
Panasonic | DMC-GH4 |
17.3 x 13 mm | Micro Four Thirds | SD card | 4096 x 2160 | 11 stops | 24, 60 (30) | H.264, AVCHD 2 (All-I, IPB) 10-200 Mbit/s | ||
Panasonic | DC-GH5 | 19.2 x 13 mm | Micro Four Thirds | SD card | 4096 x 2256 | 24, 25, 30, 50, 60 (up to 240 at 1920x1080) | AVCHD / H.264 / H.265
(10bit color and 4:2:2 chroma subsampling) | |||
Panasonic | DC-GH5s | 17.3 x 13 mm | Micro Four Thirds | SD card | 4096 x 2160 | 400 and 2500(800, 5000 in V-Log) | 2-60 (4K) 2-180 (HD) | AVCHD / H.264 / H.265
(10bit color and 4:2:2 chroma subsampling) max. 400 Mbps | ||
Panasonic | DC-S1H | 35.6 x 23.8mm | L-mount | SD card | 5952 x 3968 | 640 and 4000 | 12.7 stops (iso 640)
12.3 stops (iso 4000) |
24, 25, 30, 48, 50, 60, 100, 120, 180 | AVCHD / H.264 / H.265 | |
Pentax | K-01 |
23.4 x 15.6 mm | Pentax K | SD-Card | 1920 x 1080 | 30p, 25p | M-JPEG 95 Mbit/s | |||
Pentax | K-3 III |
23.3 x 15.5 mm | Pentax K | SD-Card | 3840 x 2160 | 100 | Rolling | 30p, 24p (60p, 30p, 24p) | H264 | |
Pentax | K-30 |
23.7 x 15.7 mm | Pentax K | SD-Card | 1920 x 1080 | 30p (25p, 24p) | H264 | |||
Pentax | K-5 |
23.4 x 15.6 mm | Pentax K | SD-Card | 1920 x 1080 | 30p, 25p | M-JPEG 95 Mbit/s | |||
Samsung | NX20 | 23.5 x 15.7 mm | Samsung NX | 1920 x 1080 | 30 | H.264 | ||||
Sony | DSLR-A560 |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | MPEG4 | ||||
Sony | DSLR-A580 |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | MPEG4 | ||||
Sony | NEX-5 |
23.4 x 15.6 mm | E-mount | 1920 x 1080 | Rolling | 60 (30) | AVCHD | |||
Sony | NEX-5N |
23.4 x 15.6 mm | E-mount | 1920 x 1080 | Rolling | 60 (30) | AVCHD | |||
Sony | NEX-7 |
23.4 x 15.6 mm | E-mount | 1920 x 1080 | Rolling | 60, 29.97 (30) NTSC 50, 25 PAL |
AVCHD/MPEG4 | |||
Sony | SLT-A33 |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | MPEG4 | ||||
Sony | SLT-A35 |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | MPEG4 | ||||
Sony | SLT-A37 |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | ? | ||||
Sony | SLT-A55 |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | MPEG4 | ||||
Sony | SLT-A57 |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) (NTSC countries) 50, 25 (PAL countries) |
AVCHD/MPEG4 | ||||
Sony | SLT-A65 |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | MPEG4 | ||||
Sony | SLT-A77 |
23.5 x 15.6 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) (NTSC countries) 50, 25 (PAL countries) |
AVCHD | ||||
Sony | SLT-A99 |
35.8 x 23.8 mm | Sony A-mount | 1920 x 1080 | 60, 29.97 (30) | AVCHD | ||||
Sony | a7S | 35.8 x 23.9 mm | Sony E-mount | SD card, Sony Memory Stick, 4K HDMI recorder | 1920 x 1080 (internal recording) 3840 x 2160 (4K HDMI recorders) |
3200 | 14.1 stops | Rolling | 60, 29.97 (30) | AVCHD |
Sony | a7S II | 35.8 x 23.9 mm | Sony E-mount | SD card, Sony Memory Stick | 3840 x 2160 | 50-409,600 (3200 native) | Rolling | 23.98 - 30 (4K), 23.98 - 120 (1080p) | XAVC S, AVCHD, MP4 |
See also
References
- Compared to 36x24mm still camera sensor
- Cameras with various lens mounts are available in such configurations but the lens mount is not interchangeable unless stated as such.
- Most cameras are capable of HDMI and HD-SDI recording, but this is only noted as a recording option if they provide expanded capabilities not available with internal recording.
- "Arri Makes a "Baby Alexa", Introducing the Alexa HD « Wide Open Camera". wideopencamera.com. Retrieved 2017-05-05.
- ^ "ARRI Group: ALEXA XR MODULE FAQ". Archived from the original on 2014-05-13. Retrieved 2014-07-24.
- ^ Bevir2015-02-18T11:32:00+00:00, George. "Arri adds UHD recording to Amira". Broadcast.
{{cite web}}
: CS1 maint: numeric names: authors list (link) - "ARRI Group: Camera Details". Archived from the original on 2015-04-15. Retrieved 2015-04-09.
- ^ "ALEXA's Anamorphic De-Squeeze Explained | AbelCine". www.abelcine.com.
- ^ "ARRI Media GMBH :: 404 Not Found".
- "Go Anamorphic with the Arri ALEXA Plus 4:3 | AbelCine". www.abelcine.com.
- ^ "ARRI Alexa Classic & Mini LF Lab Test: Rolling Shutter, Dynamic Range and Latitude". CineD. 2021-04-21. Retrieved 2022-02-07.
- ^ "ALEXA Mini". www.arri.com.
- ^ "ARRI ALEXA Model comparison". ARRI. Retrieved 2011-11-03.
- "New ARRI ALEXA Mini: Same Image Quality in a Much Smaller Package". No Film School. February 23, 2015.
- ^ "ARRI Group: Camera Details". Archived from the original on 2015-03-20. Retrieved 2015-03-19.
- ^ "ALEXA SXT W". www.arri.com.
- ^ "ARRI Media GMBH :: 404 Not Found" (PDF).
- ^ "ARRI Alexa Internal Filter Module | Film and Digital Times". www.fdtimes.com. 4 April 2013.
- "Codex working hand in hand with ARRI to deliver better workflow for the ALEXA SXT". March 18, 2015.
- ^ "ARRI Rental | ALEXA 65".
- "ARRI Rental | ALEXA 65". www.arrirentalgroup.com. Archived from the original on 2019-06-19. Retrieved 2019-06-22.
- "ALEXA 35 - 4.6K Super 35 digital camera | ARRI". www.arri.com. Retrieved 2022-06-03.
- "ARRI ALEXA 35 Announced – In-depth Video Interview about the New Camera". CineD. 2022-05-31. Retrieved 2022-06-03.
- Machu, Gunther (2022-08-17). "ARRI ALEXA 35 Lab Test: Rolling Shutter, Dynamic Range and Latitude – plus Video!". CineD. Retrieved 2024-02-12.
- "ARRI Amira Model comparison". ARRI. Retrieved 2013-06-03.
- "AMIRA". www.arri.com.
- http://www.arri.com/about_arri/press/english/english_single/tx_ttnews%5Btt_news%5D=1664&tx_ttnews%5BbackPid%5D=7581&cHash=b5e1e534809b25789e921c2e46655a47
- "You Might Be Surprised by the Dynamic Range of the New $550 Sony A5100". No Film School. August 23, 2014.
- ^ "Early Footage & Reviews of the 4K AJA CION Are In & They're... Interesting". No Film School. Retrieved 2017-05-05.
- "ARRI Group: Camera Details". Archived from the original on 2015-04-27. Retrieved 2015-04-20.
- http://www.arricsc.com/pdf/d21_manual.pdf
- ^ "Blackmagic Production Camera 4K". Blackmagic. Retrieved 2013-04-13.
- ^ "Blackmagic URSA Mini Pro | Blackmagic Design". www.blackmagicdesign.com.
- ^ "Cinematography | Blackmagic Cinema Camera: The Perfect Training Ground for Cinematographers | Hurlbut Visuals". Archived from the original on 2015-09-23. Retrieved 2015-09-22.
- "Blackmagic Micro Cinema Camera – Tech Specs | Blackmagic Design". www.blackmagicdesign.com.
- ^ "Blackmagic URSA Mini Pro – Tech Specs | Blackmagic Design". www.blackmagicdesign.com. Retrieved 2019-04-19.
- ^ "Blackmagic Pocket Cinema Camera 4K - Dual ISO Explained and Lowlight Footage". cinema5D. 2018-09-11. Retrieved 2019-04-19.
- "4K is here! Blackmagic Production Camera Review". March 5, 2014.
- "Blackmagic Ursa". Blackmagic. Retrieved 2013-04-13.
- ^ "Archived copy" (PDF). Archived from the original (PDF) on 2014-10-25. Retrieved 2014-10-25.
{{cite web}}
: CS1 maint: archived copy as title (link) - ^ "Blackmagic Design: View Press Release". Archived from the original on 2014-07-12. Retrieved 2014-07-08.
- ^ Wöber, Sebastian (2016-10-19). "Blackmagic URSA Mini 4K vs 4.6K – How Good is the 4.6K?". CineD. Retrieved 2024-03-19.
- "Blackmagic URSA Mini Pro | Blackmagic Design". www.blackmagicdesign.com. Retrieved 2019-04-19.
- ^ Coalition, ProVideo (2018-11-14). "URSA Mini Pro Gets 3200 ISO With Firmware 6.0 Update". ProVideo Coalition. Archived from the original on 2019-04-19. Retrieved 2019-04-19.
- "Blackmagic URSA Mini Pro | Blackmagic Design". www.blackmagicdesign.com. Retrieved 2022-06-16.
- Tomkies, Pete (2023-04-19). "Blackmagic Design launches URSA Mini Pro 12K OLPF". Videomaker. Retrieved 2023-05-18.
- "Canon EOS C70: Cinema Camera | Canon U.S.A., Inc". www.usa.canon.com. Retrieved 2023-06-05.
- Machu, Gunther (2022-05-10). "Canon EOS C70 Lab Test with the RAW update: Rolling Shutter, Dynamic Range and Latitude". CineD. Retrieved 2023-06-05.
- ^ "Canon Expands Their EOS Line with the New EOS C100 Video Production Camera". B&H Explora.
- ^ "Canon digital learning center, Cinema EOS". canon.com. Retrieved 2011-11-04.
- "We're updating our site | Canon U.S.A., Inc". www.usa.canon.com.
- "Canon C300 Mark II Lab Test - Dynamic Range 2 Stops Less Than Expected". cinema5D. 2015-09-24. Retrieved 2020-04-26.
- Canon C300 Mark III EF-Mount Specs. Canon.
- "Canon EOS C300 Mark III hands-on & footage". Newsshooter. 2020-04-21. Retrieved 2020-04-25.
- "Canon C300 Mark III Lab Test (Pre-Production): Dynamic Range, Rolling Shutter and Latitude". cinema5D. 2020-04-21. Retrieved 2020-04-26.
- "Canon Goes 4K Two Ways : EOS-1D C and EOS C500 Cameras Introduced at NAB". B&H Explora.
- "Canon C500 Mark II Lab Test: Dynamic Range, Latitude and Rolling Shutter". cinema5D. 2020-04-15. Retrieved 2020-04-26.
- ^ "Canon U.S.A., Inc. | EOS C700".
- "CanonME20F-SH Multi-Purpose Camera". www.bhphotovideo.com.
- "キヤノン:多目的カメラ ME20F-SH|概要". cweb.canon.jp.
- "Digital Bolex D16 Review - Part 1". March 31, 2014.
- "Bolex goes digital with the D16 Cinema Camera". newatlas.com. 25 December 2013.
- "Website is under construction". DigitalBolex.com -.
- "SK-UHD8000 Series 8K (SHV) Studio, Field Production Camera | Hitachi Kokusai Electric America, Ltd". www.hitachikokusai.com. Archived from the original on 2020-05-02. Retrieved 2019-06-22.
- "SHK-810 8K Super Hi-Vision Camera System |".
- "3D-LUTs file for J-Log1 of GY-LS300CH Reference Manual" (PDF). 2015-11-13.
- "Panasonic Pro AG-AF100 specifications". panasonic. Archived from the original on 2011-10-24. Retrieved 2011-11-03.
- ^ "The Great Camera Shootout 2011: Episode 1 ~ "The Tipping Point"". May 27, 2011 – via Vimeo.
- Panasonic AJ-HPX3700 High Definition VariCam Camcorder - Professional Video Camera, P2HD VariCam Cinematography Camcorder - Panasonic Professional Video Cameras
- Panasonic Canon 2/3" HD CAC Lens with 2x extender, Panasonic Camcorder Accessories - Panasonic Solutions Company
- Panasonic AJ-HPX2000 P2 HD Solid-State Camcorder, P2HD Solid-State Camcorder - Panasonic Professional Video Cameras
- Panasonic AJ-HPX3100GJ High Definition Camcorder - Professional Video Equipment, P2HD Solid-State Camcorder - Panasonic Professional Video Cameras
- "Panasonic develops 8K ROI camera capable of providing up to four videos from an 8K image". NewscastStudio. 10 April 2019.
- "Panasonic 8K ROI technology revealed at IBC 2018 - Professional Camera Solutions | Panasonic Business". business.panasonic.co.uk.
- "The New VariCam Cameras from Panasonic". us.panasonic.com. Retrieved 2016-12-28.
- ^ "dxl.panavision.com". dxl.panavision.com. Archived from the original on 2020-08-14. Retrieved 2019-06-22.
- ^ Esser, Felix (March 3, 2014). "DxOMark Confirms the Red Epic Dragon Sensor Outperforms the Nikon D800E". The Phoblographer.
- ^ Machu, Gunther (2022-11-03). "RED V-RAPTOR 8K VV Lab Test: Rolling Shutter, Dynamic Range and Latitude – plus Video!". CineD. Retrieved 2024-02-12.
- GENESIS, Panavision
- "4:4:4 Genesis Workflow Made ... Easy?". Studio Daily. April 26, 2007.
- http://www.cinematography.net/Files/Panavision/PV_digital_imaging/GenesisFAQs20070618.pdf
- HD900F, Panavision
- "Category: Media". www.red.com.
- ^ "In Depth Analysis - DxOMark". Archived from the original on 2016-07-09. Retrieved 2017-06-17.
- ^ "RED DRAGON Has Been Unleashed. Here is the First Footage from the 6K Camera". No Film School. August 4, 2013.
- ^ Academy, Indie Cinema (June 26, 2014). "Red Dragon vs Red MX: Is The Hype Real? (Part 01: Dynamic Range & Latitude)" – via Vimeo.
- ^ "RED Goes Global Shutter with New Motion Mount for EPIC/SCARLET (Plus New DRAGON Footage)". No Film School. September 15, 2013.
- ^ http://s3.amazonaws.com/red_3/downloads/manuals/955-0002_v4.0_EPIC_Operation_%20Guide_REV-C.pdf
- ^ "DSMC2 S35 Low Light Optimized OLPF". www.red.com. Archived from the original on 2019-03-20. Retrieved 2019-06-22.
- "EPIC-M DRAGON MONOCHROME w/ Side SSD Module and Ti Nikon Mount | RED Digital Cinema store (US)". Archived from the original on 2014-06-28. Retrieved 2014-06-15.
- "EPIC-X MONOCHROME [BRAIN ONLY] | RED Digital Cinema store (US)". Archived from the original on 2014-06-15. Retrieved 2014-06-15.
- ^ "RED 8K Sensor Test 2017". www.reduser.net. Archived from the original on 2017-01-29. Retrieved 2017-06-17.
- ^ Cardinal, David (January 10, 2017). "RED Helium 8K DxOMark Sensor Score: 108 — A new all-time-high score!".
- "RED Releases Komodo Price Before Its Final Specs". No Film School. 2020-05-20. Retrieved 2020-05-21.
- Machu, Gunther (2021-01-18). "RED KOMODO 6K Lab Test – Dynamic Range and Latitude Test – UPDATED". CineD. Retrieved 2024-02-12.
- "RED Digital Cinema". red.com. Retrieved 2011-11-03.
- ^ "RED ONE 1.8" SSD MODULE | RED Digital Cinema store (US)". Archived from the original on 2014-07-15. Retrieved 2014-07-08.
- "The Red Digital Camera Company". www.digital-intermediate.co.uk.
- RED RAVEN Camera is Official. 25 September 2015.
- Machu, Gunther (2022-11-03). "RED V-RAPTOR 8K VV Lab Test: Rolling Shutter, Dynamic Range and Latitude – plus Video!". CineD. Retrieved 2024-02-12.
- "Pro Sony pdf product information" (PDF). sony.co.uk. Archived from the original (PDF) on 2010-08-27. Retrieved 2011-11-03.
- "Bones, Lightmeters, Lonsdale, Sony F35 | Film and Digital Times". www.fdtimes.com. 3 December 2009.
- ^ "Sony Professional - Products and Solutions to Redefine Your Business".
- "SONY F65 CineAlta 4K | Los Angeles".
- "Sony Professional - Products and Solutions to Redefine Your Business" (PDF).
- ^ "PMW-F5 and F55 Firmware V1.2 Now Available. Anamorphic, WiFi, Cam and Reel ID and HDCAM SR. | Alister Chapman's Personal Blog".
- ^ "Pro Sony product page". sony.com. Retrieved 2011-11-03.
- "Sony NEX-FS100: Dynamic Range Test". November 11, 2013 – via YouTube.
- "Sony Professional - Products and Solutions to Redefine Your Business" (PDF).
- "Testing the FS700: Dynamic Range". May 15, 2012 – via YouTube.
- "Sony store product page". sony.com. Retrieved 2011-11-03.
- "Sony store product page". sony.com. Retrieved 2011-11-03.
- "Sony NEX-VG900 Full Frame camera topic". Retrieved September 12, 2012.
- "Pro Sony product page". sony.co.uk. Retrieved 2011-11-03.
- "AbelCine Tests the Sony F3 ISO Rating | CineTechnica". Retrieved 2017-06-17.
- "Sony Releases More Details About The F5 4K Internal Recording Option". December 20, 2014.
- "A New Hack Proves the Sony F5 Is Fully Capable of Internal 4K, but Sony Disabled It". No Film School. August 27, 2014.
- "Sony FS7 Getting ProRes & DCI 4K Support in Free March 2015 Update". No Film School. February 26, 2015.
- Sony VENICE Shipments Begin. No Film School. 5 February 2018.
- Phantom 65 Camera Archived 2012-11-08 at the Wayback Machine, Vision Research
- The Phantom Flex Camera Digital High-Speed Camera Archived 2012-11-08 at the Wayback Machine, Vision Research
- ^ "Digital Cameras: Digital Photography Reviews". dpreview. Retrieved 2011-11-03.
- ^ "Dynamic Range - Sony A7S vs. Arri, Canon, Panasonic & more". July 18, 2014.
- ^ "Subscribe". No Film School. May 28, 2014.
- "Canon EOS 5D mark III — Specifications". Archived from the original on 3 November 2015. Retrieved 3 March 2012.
- "Magic Lantern squeezes 1/2 stop of dynamic range from Canon 5D Mk. III". www.imaging-resource.com.
- "Canon EOS 6D — Specifications". Retrieved 1 June 2014.
- Nikon D3100 14.2MP Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens
- "Nikon D3200: Tech Specs". Nikon Inc. Retrieved 2012-08-02.
- "Digital SLR camera Nikon D4s". Nikon Corporation. Retrieved 2012-01-26.
- "Nikon D750 specifications". dpreview.com. Retrieved 2015-03-08.
- "Digital SLR camera Nikon D4s". Nikon. Retrieved 2012-02-27.
- "Panasonic GH4 Specs Clarified, Including 10-bit 4K from Its On-Board HDMI Port". No Film School. March 21, 2014.
- "Panasonic GH5S Review - Specifications".
- "Panasonic LUMIX GH5S Revisited – Review and Sample BRAW Footage". 30 November 2021.
- "PENTAX - K-01 Black". PENTAX RICOH IMAGING AMERICAS CORPORATION. 2012-02-02. Archived from the original on 2012-05-23. Retrieved 2012-04-18.
- "Ricoh's Pentax K-3 III 26MP DSLR is finally here". dpreview. 2021-04-30. Retrieved 2021-04-05.
- "Pentax K-30 16MP weather-sealed mid-level DSLR previewed". dpreview. 2012-05-21. Retrieved 2012-06-05.
- "Pentax K-5 In-Depth Review". dpreview. 2010-12-01. Retrieved 2012-06-05.
- "Does the $2,500 Sony a7S Have Dynamic Range Similar to an ARRI ALEXA?". No Film School. July 21, 2014.
- "Sony a7S II Camera Announced with Internal 4K & 5-Axis Image Stabilization". No Film School. September 11, 2015.