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Leida Laius

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Estonian film director
Leida Laius
black and white portrait of Leida LaiusLeida Laius (1970)
Born(1923-03-26)March 26, 1923
Horoshevo, Yamburgsky Uyezd, Russia
Died(1996-04-06)April 6, 1996
Tallinn, Estonia
NationalityEstonian
EducationGerasimov Institute of Cinematography
Known forFilm director
Notable workNaerata ometi, Varastatud kohtumine
AwardsUNICEF-Prize of the Berlin International Film Festival (1987), Prix Graine de Cinéphage, Festival International de Films de Femmes, Créteil (1990)

Leida Laius (26 March 1923, in Horoshevo, Yamburgsky Uyezd, Russia – 6 April 1996, in Tallinn) was an Estonian film director. She is widely received as one of the most renowned filmmakers in Estonian cinema. In 1995 she was honored by the Estonian Cultural Foundation with the Lifetime Achievement Award in special recognition of her contributions to the cultural history of Estonia.

Life

Leida Laius was born into a wealthy farming family and grew up in Jamburg, later renamed Kingissep, near Saint Petersburg. Her mother Armanda was Estonian and came from an upper middle-class family in Narva, her father was Russian. He was deported to a labor camp as a kulak during the Stalin era in the late 1930s and executed there as part of the so-called Great Purge.

Leida Laius volunteered for the Red Army during World War II and served as a nurse in the field hospital for the lightly wounded No. 3826 of the 22nd Army and as a librarian. She was a member of the Komsomol and a non-commissioned officer in the administrative service. For her military service, she was awarded the Medal "For Battle Merit" in 1944, the Medal "For the Victory over Germany in the Great Patriotic War 1941–1945" in 1945 and the Order of the Patriotic War second Class in 1985.

After the liberation of Estonia in 1944, she came to Tallinn. From 1945 to 1947 she worked as an inspector in the Ministry of Food Industry, from 1947 to 1949 as an official in the office of the Architects' Association and from 1950 to 1951 as an inspector in the theater department of the Estonian Ministry of Culture.

During this time, she trained to be an actress at the Estonian Theater Institute, which she completed in 1950. From 1951 to 1955, she was part of the ensemble at the Estonian Drama Theatre in Tallinn. From 1960, she worked at Tallinnfilm. In 1962, Laius graduated from the Gerasimov Institute of Cinematography (then the All-Union State Institute of Cinematography), the state film school in Moscow, with a diploma in directing. Laius submitted the short film Õhtust hommikuni (From Evening to Morning) as her diploma thesis. In the same year, she became a member of the Estonian Film Association.

In 1995, a year before her death, she was honored by the Estonian Cultural Foundation with the Lifetime Achievement Award. It is awarded in special recognition of a person's contribution to the cultural history of Estonia.

Works

Leida Laius' feature films are characterized by an emphasis on the actors performance, for example Maria Klenskaja was awarded Best Actress in the role of Valentina Saar in the film Stolen Meeting (Varastatud kohtumine) at the All-Union Festival of Actors in Kaliningrad in 1989, and Hendrik Toompere was awarded Best Male Actor in Games for Schoolchildren (Naerata ometi) at the Festival International de Films de Femmes (FIFF) in Créteil in 1987.

Her focus lies on strong female characters who face challenges in marriage and motherhood or find themselves in a classic dramatic love triangle of unrequited love and jealousy, i. e. as in Libahunt (1968). Games for Schoolchildren is a coming-of-age drama in which the main character Mari has to assert her place among her peers in a children's home and experiences her first love. The film was cast exclusively with non-professional actors and actresses and partly shot on original locations with a hand-held camera, which seems modern from today's perspective.

Leida Laius' last film, Stolen Meeting (Varastatud kohtumine), focuses on the subject of motherhood. After being released from prison, Valentina returns to Estonia in search of her son Jüri. Valentina left Jüri in a children's home after he was born, but he is now living with a foster family in Tartu, where he is doing well. She believes that she can get her life back on track if she regains custody of her child. However, having grown up in an orphanage herself, she eventually has to face the harsh reality that her desire makes not for the best life choice for her son. The director herself described the film as a conceptual sequel to Naerata ometi.

Eva Näripea, the director of the Estonian Film Archives, compared Leida Laius's films to the new narrative forms of the so-called "Thaw Cinema", an era of a new wave of cinema of the 1960s in the Soviet Union. The Estonian film critic Olev Remsu rated the film Libahunt as one of the ten best films of Estonian cinema.

Recognition

Leida and Armanda Laius's Gravesite on the Cemetary Pärnamäe in Tallinn

Jüri Sillart, who worked as a cinematographer on Varastatud kohtumine, Laius' last film, released a documentary about the film director in 2002, titled Leida's Story (original title: Kairiin).

On the occasion of her 100th birthday in 2023, an extensive retrospective of Leida Laius' life and work was held in Tallinn and Tartu, including film screenings, discussion events and exhibitions of set photographs from the Estonian National Archives' collection in the Elektriteatri and Sõprus cinemas. Her films were also made available on streaming platforms. In this context, a monument dedicated to her and created by the sculptor Flo Kasearus was unveiled in Lembitu Park in Tallinn on March 26, 2023.

The Estonian Film Museum presented a year-long exhibition titled Leida Laius. Lõpetamata naeratus (″Leida Laius. The Unfinished Smile″), which opened on March 31, 2023. On display were materials and objects from the film collection of the Estonian National Archives from Laius's private life and her film sets, which had not been accessible to the public until then. These included documents and materials from the planning phase of her films to their realization, screening and reception.

The 57th Karlovy Vary International Film Festival 2023 screened the film Stolen Meeting (Varastatud kohtumine) in the Out of the Past series. The film had been restored in 2022 with the support of A Season of Classic Films, an initiative of the Association des Cinémathèques Européennes, which is part of the Creative Europe MEDIA program.

The 75th Berlin International Film Festival 2025 will once again screen the film Games for Schoolchildren (Naerata ometi), which had won an award at the 1987 edition of the festival, in a 4K digitized and restored version as part of the Berlinale Classics series. The Estonian National Archives digitized the feature film on behalf of the Estonian Film Institute.

Filmography

  • Õhtust hommikuni (short film, 1962)
  • Mäed kui valged elevandid (1963)
  • Mäeküla piimamees (1965)
  • Libahunt (1968)
  • Ukuaru (1973)
  • Sündis inimene (documentary, 1975)
  • Lapsepõlv (documentary, 1976)
  • Jäljed lumel (documentary, 1978)
  • Kõrboja peremees (1979)
  • Kodulinna head vaimud (documentary, 1983)
  • Naerata ometi (1985) (with Arvo Iho)
  • Varastatud kohtumine (1988)

Awards (Selection)

1995: Lifetime Achievement Award of the Estonian Cultural Foundation

Varastatud kohtumine

  • 1989: Best Feature Film at the 5th Women in Film Festival and the presentation of the Lillian Gish Awards, held at the Directors Guild of America, Los Angeles
  • 1990: Best Feature Film, Festival of Female Film Directors, Venice

References

  1. ^ "Director: Leida Laius". classics.filmi.ee (in Estonian). Retrieved 2025-01-27.
  2. ^ Eesti Filmi Andmebaas (ed.). "Leida Laius". www.efis.ee (in Estonian). Retrieved 2025-01-27.
  3. Peter Rollberg (2009). Historical Dictionary of Russian and Soviet Cinema. US: Rowman & Littlefield. pp. 393–394. ISBN 978-0-8108-6072-8.
  4. "Vaba Eestlane = Free Estonian 19 jaanuar 1999 — DIGAR Eesti artiklid". dea.digar.ee. Retrieved 2025-01-27.
  5. Viilup, Kaspar (2023-06-18). "Leida Laiuse "Varastatud kohtumine" linastub Karlovy Vary filmifestivalil". kultuur.err.ee (in Estonian). Retrieved 2025-01-27.
  6. Häkli, Ave (2023-03-20). "Filmiarhiivi direktor: Laiuse filmipärand on ajas aktuaalsemaks muutunud". kultuur.err.ee (in Estonian). Retrieved 2025-01-27.
  7. Mandušić, Zdenko (2019-07-10). "Lida Oukaderova: The Cinema of The Soviet Thaw: Space, Materiality, Movement". Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe (8). doi:10.17892/app.2019.0008.105. ISSN 2365-7758.
  8. Remso, Olev (2020-04-13). "Retroretsensioon. Hukkumine on paratamatu". kultuur.err.ee (in Estonian). Retrieved 2025-01-27.
  9. Viilup, Kaspar (2023-03-05). "Leida Laiuse 100. sünniaastapäevale pühendatakse retrospektiiv ja näitused". kultuur.err.ee (in Estonian). Retrieved 2025-01-27.
  10. "Galerii: filmimuuseumis avati Leida Laiuse juubelinäitus". kultuur.err.ee (in Estonian). 2023-10-13. Retrieved 2025-01-27.
  11. "A Stolen Meeting". Restored Classics (in Estonian). Retrieved 2025-01-27.
  12. Lehmann, Silke (2025-01-13). "Press Release. Berlinale Classics 2025: Eight Premieres of Classic Films in Digitally Restored Versions". berlinale.de. Retrieved 2025-01-27.
  13. Archives, L. A. Times (1989-10-24). "Women Film Makers Honored". Los Angeles Times. Retrieved 2025-01-27.
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