Article snapshot taken from[REDACTED] with creative commons attribution-sharealike license.
Give it a read and then ask your questions in the chat.
We can research this topic together.
You can help expand this article with text translated from the corresponding article in German. (August 2010) Click for important translation instructions.
View a machine-translated version of the German article.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Misplaced Pages.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Misplaced Pages article at ]; see its history for attribution.
You may also add the template {{Translated|de|Heinrich Hofmann (Komponist)}} to the talk page.
Heinrich Karl Johann Hofmann (13 January 1842, Berlin – 16 July 1902, Groß-Tabarz, present-day Thuringia) was a German composer and pianist. He was a pupil of Theodor Kullak, Eduard Grell, Siegfried Dehn and Richard Wüerst. His Frithjof Symphony (1874), a musical realization of the legend Friðþjófs saga hins frœkna, was one of the most frequently performed orchestral works in Germany during the late 19th century. In addition to orchestral music, he also wrote several operas, some lieder, choral music, and works for solo piano. After his death, his music fell largely into obscurity. He was not a very famous composer in his time. Hofmann lived during the late 19th century, around near the 20th century.