Eli | |
---|---|
Opera by Walter Steffens | |
Language | German |
Based on | Play by Nelly Sachs |
Premiere | 1967 (1967) Opernhaus Dortmund |
Eli, Op. 7, is a German-language opera in three acts with music by Walter Steffens to a libretto based on a play by Nelly Sachs. The world premiere was in 1967 at the Opernhaus Dortmund.
History
Eli was a commission from the city of Dortmund as the first world premiere to be performed at the new Opernhaus Dortmund which was inaugurated in 1966. The composer wrote the libretto for the opera in three acts (12 scenes) based on a 1943 mystery play by Nelly Sachs. The city of Dortmund awards a literature prize in her name, the Nelly Sachs Prize. Her play was first entitled Eli: Ein Legendenspiel vom Leiden Israels (Eli: A mystery play of the sufferings of Israel), later changed to Eli: Ein Mysterienspiel ... It was premiered by Theater Dortmund on 14 March 1962. The opera was published by Bärenreiter.
The action is in single episodes, without a plot. It is set in a Polish village right after World War II, where a Jewish boy, Eli, was slain by a German soldier during a pogrom, and is remembered in various ways. Walter Steffens, a resident of Dortmund, worked on the composition from 1964 to 1966.
The world premiere of the opera was on 5 March 1967 in the Opernhaus Dortmund, directed by Hans Hartleb, with Hainer Hill as designer of stage and costumes, and Wilhelm Schüchter conducting.
Roles
The first performance was at the Opernhaus Dortmund on 5 March 1967, conducted by Wilhelm Schüchter. Many singers take more than one role:
Role | Voice type | Performer |
---|---|---|
Michael | heldenbaritone | |
A Baker / A Woman / An Old Woman | dramatic soprano | |
Ester / The Mother | coloratura soprano | |
A Young Woman | coloratura soprano | |
A Girl / A Woman | soprano | |
Ester / The Mother | coloratura soprano | |
A Washing Woman | dramatic contralto | |
Second Tree | contralto | |
Jossele / First Voice / Scherenschleifer / Beggar / A Man | high lyric tenor | Alfred Vökt |
Ein Verwachsener | tenor | |
Mendel | tenor | |
First Bricklayer / Voice of a Star / A Chimney | tenor | |
The Old Bricklayer / A Man / The Man With the Mirror Glass / A Rabbi | serious bass-baritone | |
Second Bricklayer | baritone | |
A Being / A Baker | low bass | |
Samuel | silent role | |
Second Voice / A Blind Girl / A Carpenter / A Child / A Postman / First Tree / A Doctor / A Voice | speaking roles | |
Brick layers / Praying Group / Voice from the Chimney / Voices of the Fingers / Voice of the Lecturer's Finger / Choir in the orchestra | choir | |
Rough Man's Voice / Hissing Sounds / A Finger / A Long Bony Finger / Voice of the Lecturer's Finger | tape |
Reception
A reviewer from Süddeutsche Zeitung noted that Steffens transports the poetry to a different level of emotional intensity. He described the vocal and instrumental lines as expressive and melodic ("Expressiv-melodische Diktion"), and the electro-acoustic parts as unreal voices.
References
- ^ Steffens, Walter. "Werke / Works". walter-steffens.de (in German). Retrieved 28 September 2020.
- ^ "Steffens, Prof. Walter". komponistenlexikon.de (in German). Retrieved 29 September 2020.
- ^ "5. Akt: Oper". Festschrift (PDF) (in German). Theater- und Konzertfreunde. November 2014. p. 126. Retrieved 28 September 2020.
- ^ "Nelly Sachs / Eli / Ein Legendenspiel vom Leiden Israels. 1943" (in German). Suhrkamp. Retrieved 28 September 2020.
- ^ Griffel, Margaret Ross (2018). "Eli". Operas in German: A Dictionary. Rowman & Littlefield. p. 122. ISBN 9781442247970.
- Sauer, Heike. Traum – Wirklichkeit – Utopie (in German). Waxmann Verlag. pp. 97–102. ISBN 978-3-83-095235-0.
- ^ "Freude ist verboten / Eli – eine Oper von Walter Steffens nach Nelly Sachs in Dortmund". Die Zeit (in German). 10 March 1967. Retrieved 23 October 2023.
- ^ Ruppel, Karl Heinz (1967). "Walter Steffens: Eli". The World of Music (in German) (1). Bärenreiter: 8. ISBN 9783830952350. JSTOR 24318774.
- Kutsch, K. J.; Riemens, Leo (2012). "Vökt, Alfred". Großes Sängerlexikon (in German) (4th ed.). Walter de Gruyter. p. 4919. ISBN 978-3-59-844088-5.
Further reading
- Christine Longère: "Zu den Opern" (in German) walter-steffens.de